Don Giovanni

 1990, L’Oiseau Lyre/Decca

(Håkan Hagegård, Gilles Cachemaille, Arleen Auger, Nico van der Meel, Della Jones, Barbara Bonney, Bryn Terfel, Kristinn Sigmundsson; Drottningholm Court Theatre Chorus; Drottningholm Court Theatre Orchestra, cond. Arnold Östman)

Arnold Östman’s Don Giovanni is a quintessential example of period-instrument Mozart. The orchestral sound is light, the tempos are brisk, the voices are often lighter than we’re used to hearing, and generally it’s the type of performance that lovers of Romantic Mozart will dismiss as lacking in gravitas. But as far as I’m concerned, Read the rest of this entry »

I hope I don’t lose half my followers when they see that I’ve written a tribute to a Broadway/West End musical. I know that some opera buffs turn up their noses at anything that isn’t operatic. But Read the rest of this entry »

Madama Butterfly

1959, EMI

(Victoria de los Angeles, Jussi Björling, Miriam Pirazzini, Mario Sereini, Piero de Palma; Coro del Teatro dell’Opera di Roma; Orchestra del Teatro dell’Opera di Roma, cond. Gabriele Santini)

This recording isn’t the definitive Butterfly, but it still counts as a classic, thanks mainly to the performance of Victoria de los Angeles in the title role. True, she lacks the power and ease in the upper register that other Cio-Cio-Sans display, and may have been in better voice in her earlier recording of the part. But all the same, her Read the rest of this entry »

A few years ago, I discovered this hilarious list: The Things I Will Not Do When I Direct A Shakespeare Production, On Stage Or Film (http://angevin2.livejournal.com/148520.html). In the comments section, someone suggests that a similar list should be made about opera productions, and even recommended an entry involving Tosca. So I decided to make one. Read the rest of this entry »

Cio-Cio-San: Oksana Dyka

B.F. Pinkerton: Brandon Jovanovich

Suzuki: Milena Kitic Read the rest of this entry »

Il Barbiere di Siviglia

1982, CBS/Sony Classical

(Leo Nucci, Marilyn Horne, Paolo Barbacini, Enzo Dara, Samuel Ramey, Raquel Pierotti; Coro del Teatro alla Scala; Orchestra del Teatro alla Scala, cond. Riccardo Chailly)

This charming Barbiere is recommended as a first choice by William Berger in his NPR Curious Listener’s Guide to Opera, and understandably so. First of all, it’s one of the only complete Barbieres available: not a single note is cut from either the numbers or the recitatives. And Riccardo Chailly conducts every note with silky, sparkling elegance and Read the rest of this entry »

Orfeo ed Euridice

1957, RCA Victor

(Risë Stevens, Lisa della Casa, Roberta Peters; Coro del Teatro dell’Opera di Roma; Orchestra del Teatro dell’Opera di Roma, cond. Pierre Monteux)

I bought this recording after I read several glowing reviews of it. I now think those reviewers must have had a nostalgic attachment to it, because to my ear, this is one of the weakest Orfeos available. Using the Ricordi edition of the score (basically the 1774 Paris version, but sung in Italian, with the role of Orfeo scored for an Read the rest of this entry »